prima anarchia.
every dick i take is a fight for freedom.
prima anarchia.
marxvx:

Foucault will win
"The sexualization of women is only appealing if it’s nonconsensual. Otherwise it’s “sluttiness”."
Lindy West (via lavenderlabia)
"The colonized subject thus discovers that their life, their breathing, and their heartbeats are the same as the colonist’s. They discover that the skin of a colonist is not worth more than the “native’s.” In other words, their world receives a fundamental jolt. The colonized’s revolutionary new assurance stems from this. If, in fact, my life is worth as much as the colonists, their look can no longer strike fear into me or nail me to the spot and their voice can no longer petrify me. I am no longer uneasy in their presence. In reality, to hell with them. Not only does their presence no longer bother me, but I am already preparing to waylay them in such a way that soon they will have no other solution but to flee."

The Wretched of the Earth (Frantz Fanon)

Favorite paragraph. I changed all the pronouns to gender neutral ones.

(via my-necktie-is-asleep)

dimantez4ever:

TODAY IN TURKEY
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nevver:

How are you feeling?
nevver:

How are you feeling?
nevver:

How are you feeling?
nevver:

How are you feeling?
nevver:

How are you feeling?
princessbubblegrrrl:

Chub Rub.
ZoomInfo

Muhammad Ali on the Vietnam War Draft

Muhammad Ali on the Vietnam War Draft

Muhammad Ali on the Vietnam War Draft

Muhammad Ali on the Vietnam War Draft

Muhammad Ali on the Vietnam War Draft

Muhammad Ali on the Vietnam War Draft
ZoomInfo
sonofbaldwin:

howtobeterrell:

QueenS of ConsciousnesS & Sex-RadicalisM in Hip Hop: On ErykaH BadU & The NotoriouS K.I.M.  By queer Professor Greg Thomas, Ph.D. 

The world of music constantly pits “sexuality” against “consciousness” in its commentary, especially when Black music is  the subject at hand;  internationally, it divides music with “positive,” “progressive” or “political” content from “sex-driven” music which is, supposedly, “sensational,” “scandalous” and “slack.”  This line of thinking goes well beyond contemporary critics and consumers.  For over five hundred years, the Western world of ideas has itself opposed sexuality and consciousness, rigidly, laying the foundation for an entire culture to interpret “eroticism” as a threat to “intelligence,” “bodies” as menaces to “minds” and “sensuality” as an enemy to “rationality” or rationalism.  The European oppression of most of the world’s peoples, African people most of all, it continues to use this bi-polar world-view to advance a racist empire that is every bit as much sexist, class-elitist and homophobic  as it is racist or white-supremacist.



Yes, Oshun! Go in! Let have!
sonofbaldwin:

howtobeterrell:

QueenS of ConsciousnesS & Sex-RadicalisM in Hip Hop: On ErykaH BadU & The NotoriouS K.I.M.  By queer Professor Greg Thomas, Ph.D. 

The world of music constantly pits “sexuality” against “consciousness” in its commentary, especially when Black music is  the subject at hand;  internationally, it divides music with “positive,” “progressive” or “political” content from “sex-driven” music which is, supposedly, “sensational,” “scandalous” and “slack.”  This line of thinking goes well beyond contemporary critics and consumers.  For over five hundred years, the Western world of ideas has itself opposed sexuality and consciousness, rigidly, laying the foundation for an entire culture to interpret “eroticism” as a threat to “intelligence,” “bodies” as menaces to “minds” and “sensuality” as an enemy to “rationality” or rationalism.  The European oppression of most of the world’s peoples, African people most of all, it continues to use this bi-polar world-view to advance a racist empire that is every bit as much sexist, class-elitist and homophobic  as it is racist or white-supremacist.



Yes, Oshun! Go in! Let have!
" When grassroots Black activists speak honestly about racism at colleges across this country, we are not met with open arms by administrators and faculty. And most certainly our calendars are not full for the rest of the year let alone for the next three to five. When we speak, we are often met by the deaf ear of white denial. When Tim Wise speaks, he gets applause, standing ovations, awards and proclamations. The fact that schools can’t “hear” us when I and other people of color speak but will search out and roll out the red carpet for Wise is a statement to a kind of racism that doesn’t get discussed much – if at all – in our work. Despite all of the white anti-racist presentations given over the years at colleges and universities across the country, institutional racism at these schools remains intact. All the while, activists of color continue to be muffled and marginalized. Even in the ghetto of race discourse we remain tenants and never owners of an analysis that is ours to begin with. "

Word to the Wise: Unpacking the White Privilege of Tim Wise

(via tmy-tmt)

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janeg-23:

By Ileana Surducan
janeg-23:

By Ileana Surducan
janeg-23:

By Ileana Surducan
janeg-23:

By Ileana Surducan
Social Rants: If media covered America the way we cover foreign cultures
auntada:

“I was born March 23, 1850 in Kentucky, somewhere near Louisville. I am goin’ on 88 years right now. (1937). I was brought to Missouri when I was six months old, along with my mama, who was a slave owned by a man named Shaw, who had allotted her to a man named Jimmie Graves, who came to Missouri to live with his daughter Emily Graves Crowdes. I always lived with Emily Crowdes.”
The matter of allotment was confusing to the interviewer and Aunt Sally endeavored to explain.
“Yes’m. Allotted? Yes’m. I’m goin’ to explain that, ” she replied. “You see there was slave traders in those days, jes’ like you got horse and mule an’ auto traders now. They bought and sold slaves and hired ‘em out. Yes’m, rented ‘em out. Allotted means somethin’ like hired out. But the slave never got no wages. That all went to the master. The man they was allotted to paid the master.”
“I was never sold. My mama was sold only once, but she was hired out many times. Yes’m when a slave was allotted, somebody made a down payment and gave a mortgage for the rest. A chattel mortgage… .”
“Allotments made a lot of grief for the slaves,” Aunt Sally asserted. “We left my papa in Kentucky, ‘cause he was allotted to another man. My papa never knew where my mama went, an’ my mama never knew where papa went.” Aunt Sally paused a moment, then went on bitterly. “They never wanted mama to know, ‘cause they knowed she would never marry so long she knew where he was. Our master wanted her to marry again and raise more children to be slaves. They never wanted mama to know where papa was, an’ she never did,” sighed Aunt Sally.
Sarah Frances Shaw Graves, Age 87
Born in Slavery: Slave Narratives from the Federal Writers’ Project, 1936-1938
Library of Congress, Digital ID mesnp 100126